
Build Beats. Shape Sound. Finish Tracks.
FL Studio has become a go-to DAW for electronic music producers and beat-makers around the world—but whatever your genre, if FL is your weapon of choice, and you want your name on this list of notable users, this course will give you the tools and confidence to have the best chance.
Whether you're a complete beginner or already making tracks in FL, this 36-hour course delivers deep, structured training in music production, beat-making, and engineering. We cover every major element in detail, packed with real-world tips and techniques that even experienced users find game-changing. You’ll leave with a solid workflow, polished production skills, and a competitive edge over anyone stuck in YouTube rabbit holes.
Classes are live and interactive—in-person or live online—so you can ask questions and get feedback in the momentwhen you're inspired... or confused. It’s this kind of immediate, practical support that makes in-person learning so effective.
Sydney students take the FL Course in a small class at our studio, or live online in the same session, using our specialist music collaboration software, Muse, taught by producers working in the Australian scene. Discover qualities that distinguish us, here.
“The instructor was great. He was extremely good at explaining things and always gave us enough time to put what we were learning into practice. Most importantly, he is passionate about music and actually enjoys teaching which really makes the whole experience very enjoyable.”
Reggie Chelsom
No - the course works for complete beginners and experienced users alike.
Very deep - menus, panels, the Channel Rack, every Piano Roll tool, mixing, plugin handling, recording and Edison are all covered.
Yes - see FL Studio Private Instruction.
Yes - both client and host mode ReWire support are part of the course.
36 hours, or 20 hours as 1-on-1 instruction.
$1499 + $100 Registration if booked 14 days before start or $1799 + $200 Registration
The whole mixing process, condensed: zeroing the desk, subgrouping, panning, using your ears, and where ambience fits in.
Read →When we experience a sound we are not only hearing it from the direct source, but also from the environment in which it is situated (reflections from…
Read →Dynamic control is an essential part of recording vocals. The best dynamic control is achieved from someone who knows good mic technique, getting closer…
Read →Subgrouping a mix, using reference tracks properly, and keeping your monitoring level honest over a long session.
Read →Much of the contemporary applications of music technology have shifted away from the natural into, arguably, more creative and artificial-sounding…
Read →Why room shape changes what you hear, what standing waves do to your low end, and what RT60 means for a small studio.
Read →